“Polaroid has completed its transition from a real company to something that just slaps its brand on other people’s hardware.” — Wired.
Feeding the flame of my passion for large-scare installation art (and, who are we kidding, innovative Icelanders) is the forthcoming Ólafur Elíasson retrospective “Take Your Time,” en route from San Francisco to the New York City MoMA. Elíasson’s work ping-pongs between the organic and the industrial and manages to merge the two in-between. At times he favors ephemeral, transient materials like ice, mist and steam; creating rainbows, dying rivers and making water flow uphill. But he also likes tricks, often ones that rely on technology or science: encompassing tunnels and cocoons that show something moving when it’s actually still or something still that moves; something you can see with your eyes closed—pieces that provoke the participant into “seeing themselves seeing,” as the artist puts it.
“meetyourmeat.com is available for consumers to literally track where their meat came from: from farm to slaughter house to packaging to shipping to the point of purchase just by searching the upc label.”
[happy cows don't always come from california.]
”freecouture.com is dedicated to the appropriation and dissemination of priceless garments once owned by public figures who have gotten all the milage out of them the media will allow.”
[haute for the homeless]